Anonymous Boy is the pen name of Tony Arena, an artist, writer and filmmaker who resides in New York City. Anonymous Boy is also the title of his self-published comics zine.
Contents |
The name 'Anonymous Boy' was given to him by G.B. Jones, the editor of J.D.s, when his first contribution appeared in this zine in the late 1980s. His erotic and romantic drawings of punks garnered much attention and after the demise of J.D.s, his work appeared in many other publications such as Outpunk, Speed Demon, RFD, The Burning Times, Aunt Franne, Teen Fag, NYQ, YELL Zine, Androzine and many more. He also provided some record cover and insert art for the bands Pansy Division, The Lone Wolves, Limp Wrist and for the cover of the queer punk compilation record, Stop Homophobia, #2, released by Turkey Baster Records.
In 1995, Anonymous Boy premiered his film GREEN PUBES, the first animated queercore movie, which played at film festivals around the world. Created on a limited budget, Anonymous Boy's DIY animation effect worked to the film's benefit.
After this, he and boyfriend Ron began producing a regular public access television show called The Wild Record Collection which appears on Manhattan Neighbourhood Public Access Television on Friday nights. He and Ron have been guests to promote their television program on the WFMU radio show Music To Spazz by with Dave The Spazz. The New York Press awarded the show with The Best of New York Award for Best Public Access Music Program of 1997. From September 8, 2006 through October 22, 2006 The Wild Record Collection was featured as part of a video-art exhibit called Everybody Dance Now, curated by Kathleen Goncharov for the EFA Gallery in New York City, and in 2011 it was included as part of the "Shindig!" segment of "TV Party" at The Museum of The Moving Image in a screening honoring the eccentric aspects of Public Access Television. Public Access pioneer George C. Stoney, widely regarded as "the Father of Public Access" was in attendence to vehemently criticize the featured programs as the "worst" of what Public Access had to offer.[1]
Tony enlisted the services of his friend Sarah Jacobson to help edit his contribution, METAL OR MUSCLE? for a Presto Project DVD produced by Nike. The animated short featured robots attempting to emulate the movements of street athletes. It was scored by his friend Sam Elwitt, a musician best known for The Nutley Brass and his musical scores in the Queer Duck series. The METAL OR MUSCLE? cartoon short saw the return of the primitive Anonymous Boy animation technique first seen in GREEN PUBES but refined. The unique DIY animation technique uses cut out figures in real-time movement. The figures wiggle and glide on a transparency across backgrounds. The overall effect is humorous, low-tech, and humanistic- a contrast to both traditional cell animation and to computer generated style.
In 2001 Anonymous Boy began writing a regular column for the long running punk rock zine Maximum Rocknroll. His column lasted until 2004. He continues to draw comics, contributes to books and publications, and produces his own fanzines Homopunk World,Punk Rock Freakazoid, The Zine Sin?, Straight and Narrow, Filth, and Anonymous Boy among others. He is a regular contributor to the anthology Boy Trouble, edited by Robert Kirby and David Kelly. The last issue to be released as a zine, the 10th Anniversary issue of Boy Trouble appeared in 2005. Since then, two volumes of the anthology have been published, the first, The Book of Boy Trouble, in 2006,[2] followed by The Book of Boy Trouble Volume 2 in 2008.[3]
In 2008, he appeared in the G.B. Jones film The Lollipop Generation [4] to which he also contributed a song by the same name for the film's soundtrack. The soundtrack included music by Jane Danger, Mariae Nascenti, Bunny & The Lakers and The Hidden Cameras among others. At the film's premiere for the Toronto "Images" film festival, he made a personal appearance along with fellow Lollipop Generation cast members Jena von Brucker, Jane Danger, Andrew Cecil, and Becky Palov.
He also formed a punk rock band called The Spines in which he sings and plays the Electric Autoharp, an unusual instrument for punk. He is joined in The Spines by bass player Bunny Hirsch and drummer Rich Kabot. He had previously been in the bands Horror Planet and Bozo Shmo.
As Director
As Actor